ENGLISH
10 Inch Long Throw Transducer 120 Watt Amplifier
SPECTRAL DECAYSPECTRAL DECA
DESIGNED AND ENGINEERED IN THE UNITED ST
DESIGNED AND ENGINEERED IN THE UNITED STATDESIGNED AND ENGINEERED IN THE UNITED ST
NETICALLY SHIELDEDNETICALL
EXTREMELY HIGH SOUND PRESSUREEXTREMEL
RISK OF ELECTRIC SHOCK
DO NOT OPEN
115-230 vac — 50Hz/60Hz 175W
POWER
RATING
500 1K 2K 5K
+3
0
-3
-6
+6
RESPONSE (dB)
FREQUENCY (Hz)MID PRESENCE
10
-27
-21
-15
-9
0
5
100
1K
10K30K
FREQUENCY (Hz)
CROSSOVER
dBr
10
-50
-30
-15
0
30
50
100
1K
10K30K
dBr
FREQUENCY RESPONSE FREQUENCY (Hz)
SPECTRAL DECAYSPECTRAL DECA
DESIGNED AND ENGINEERED IN THE UNITED ST
DESIGNED AND ENGINEERED IN THE UNITED STATDESIGNED AND ENGINEERED IN THE UNITED ST
GNETICALLY SHIELDEDGNETICALL
EXTREMELY HIGH SOUND PRESSUREEXTREMEL
RISK OF ELECTRIC SHOCK
DO NOT OPEN
115-230 vac — 50Hz/60Hz 175W
POWER
RATING
500 1K 2K 5K
+3
0
-3
-6
+6
RESPONSE (dB)
FREQUENCY (Hz)MID PRESENCE
10
-2
7
-2
1
-1
5
-9
0
5
10
0
1K
10K30K
FREQUENCY (Hz)CROSSOVE
R
dBr
10
-5
0
-3
0
-1
5
0
30
50
10
0
1K
10K30K
dBr
FREQUENCY RESPONSE FREQUENCY (Hz)
FROM MIXER
Adding a subwoofer and extended low frequency response to your Resolv 65a system is easy using the
RESOLV 65a’s LINE LEVEL inputs. Below is a typical system set-up using the RESOLV 120a with a mixer and a
pair of Resolv 65a’s satellite speakers. The RESOLV 65a’s inputs utilize industry standard RCA connectors. For
a detailed wiring diagram, see the section “RESOLV 65a Connections” on page 12. Follow the steps in the dia-
gram below to set up your system.
• Lower your mixer’s master outputs to all the way off.
• Connect the mixer’s left output to the RESOLV 120’s LEFT LINE INPUT and the mixer’s right output to
the RESOLV 120’s RIGHT LINE INPUT. Now connect the RESOLV 120’s LEFT LINE OUTPUT to the input of
the left RESOLV 65a, and the RESOLV 120’s RIGHT LINE OUTPUT to the input of the right RESOLV 65a.
Run an audio signal (like some music from a CD) through your mixer and raise the level to a com-
fortable listening level.
• Now adjust the SWEEP control to the desired frequency. Consult your studio monitors owner’s man-
ual for a recommended crossover point. You can also use your ears by adjusting the SWEEP control to
the frequency that sounds good to you. A good place to start is about 70 Hz.